Pere Santilari

Barcelona 1959

The painter of still life and flowers

Pencil on cardboard, 2020
34 x 41 cm

From our current exhibition
IMAGINACIÓN - Die spanischen Künstler Josep and Pere Santilari

SOLD

Pierre Bonnard

1867 Fontenay-aux-Roses – Le Cannet 1947

Nature morte à la table sur une terrasse

Gouache and watercolour over pencil on paper, c.1939.
Stamped lower right with the monogram (Lugt 3887).
175 x 282 mm

Lovis Corinth

1858 Tapiau, East Prussia - Zandvoort, Netherlands 1925

Self-Portrait

Black chalk on wove.
Signed and dated lower right: Januar 1924 Lovis Corinth.
500 x 310 mm

Jacobus Cornelis Wijnandus, called Ko Cossaar

1874 Amsterdam - The Hague 1966

Portrait of Kees van Dongen

Conté crayon on grey hand-made paper; executed c.1909.
Signed lower right: J. Cossaar and inscribed mon ami Kees van Dongen; countersigned Kees van Dongen lower left. 500 x 327 mm

Jan (Jean) Dedina

1870 Straky - Tatobity 1955

Robert de Montesquiou inspiré par sa Muse

Brown and black ink, with gouache; c.1897.
Signed lower left: J Dedina.
350 x 235 mm

Maurice Denis

1870 Granville - Saint-Germaine-en-Laye 1943

Le Goûter sur la cale - soir / Le goûter au Pouldu

Pen and brown ink, black and grey wash, executed 1899-1900.
Inscribed and signed at the lower right: Dessin p. le catalogue, M. Denis.
198 x 237 mm

Raoul Dufy

1877 Le Havre - Forcalquier 1953

La danse ou le voyage aux îles

Gouache and pencil on paper; executed c.1920.
Bearing the stamp ‛RD / BIANCHINI FÉRIER’ lower right.
1200 x 1150 mm.

Ernst Fries

Heidelberg 1801 - 1833 Karlsruhe

Path between Trees near Ariccia

Pen and brush in greyish-black ink, sepia wash over pencil. On laid paper watermarked: C & I Honig.
Executed between 1824 and 1827.
Numbered III, 2 in pencil on the verso.

Johann Heinrich Füssli / John Henry Fuseli R.A.

1741 Zurich - London 1825

Woman with a Fantastical Hair Style

Pencil on laid paper.
Inscribed in Greek: παιδολέτειρα (Paidoleteira) and dated: June 4 21. / P. H. [Putney Hill].
132 x 187 mm

Alberto Giacometti

1901 Borgonovo - Chur 1966

La Mère de l’artiste

Pencil on paper, 1948. Signed and dated lower right: A Guttuso Alberto Giacometti 1948. Bearing a personal dedication to the artist Renato Guttuso inscribed Parigi. 1949. 460 x 348 mm

Anne-Louis Girodet

1767 Montargis - Paris 1824

Éole déchaîne les vents contre les vaisseaux troyens (Virgile, Énéide, I: 50-91)

Black chalk on paper; executed c.1811.
268 x 358 mm (image); 268 x 410 mm (sheet)

See our current publication: Anne-Louis Girodet -
Two recently discovered drawings

Albert Gleizes

1881 Paris - Avignon 1953

Cirque [Une écuyère de cirque]

Pen and brown ink, white gouache on brown paper, mounted on card; 1914.
Titled Cirque in pen and brown ink, signed and dated Alb. Gl. / 1914 in pencil lower right.
240 x 202 mm

Jacob Jordaens

1593 - Antwerp - 1678

Homage to the Poet

Red and black chalk, pen and brown ink, watercolour on paper; c.1660. The sheet enlarged by the artist on all four sides.
Inscribed above: Sinne beeld / de Poesie ofte den Poet gekroond met / Lauriere door Apollo / Mercurius hem inschenckende den Nektar / ofte den Ambrosiaen / de nimphem hem met sangen vereerende.
205 x 215 mm

Paul Klee

1879 Münchenbuchsee - Muralto 1940

Heimgartenanlage [Home Garden Plot / Allotment Estate]

Pen and black ink on paper, laid down with dabs of glue on the artist’s mount; 1921.
Signed: Klee lower left, dated upper right: 1921; on the artist’s mount inscribed with the work number: 1921/148 and title: Heimgartenanlage.
Image: 220 x 287 mm; artist’s mount: 340 x 395 mm

Georg Kolbe

Waldheim 1877 - 1947 Berlin

Kneeling Nude

Pen and brush and light brown sepia ink on firm wove; early 1920s.
Signed with the artist’s monogram lower right in sepia: G K.
494 x345 mm

ALFRED KUBIN

1877 Leitmeritz, Bohemia – Zwickledt, Upper Austria 1959

Haus Usher [The House of Usher]

Pen and black ink over traces of black chalk, on cadastral paper. Circa 1909. Bearing the artist’s initials AK lower left in the image; signed in pencil Kubin lower right and titled Haus Usher I in the lower margin corners. On the verso with annotations in the lower margin.
314 x 259 mm

John Martin

1789 Haydon Bridge, Northumberland - Douglas, Isle of Man 1854

The Thames at Twickenham

Watercolour, gouache and graphite with scratching-out on paper; executed in the mid-1840s.
280 x 699 mm

Anton Raphael Mengs

1728 Aussig (Böhmen) – Rom 1779

Das Urteil des Paris

Feder in Braun, grau laviert und weiß gehöht über Bleistiftvorzeichnung auf gelb-bräunlich getöntem Papier; quadriert in Kreide; um 1756/57.
Im rechten Unterrand von fremder Hand mit Feder bezeichnet: Raphael Mengs fecit et dedit.
225 x 280 mm

SOLD

Adolph von Menzel

1815 Breslau – Berlin 1905

A Sheet of Various Studies, including Two Heads of Men, and Two Studies of Hands, one holding a Fan; with Test Marks of Watercolour (recto) – Various Test Marks of Watercolour (verso)

Carpenter’s pencil and watercolour (recto); watercolour (verso).
Marked with the artist’s estate stamp, in violet ink, upper left center, A. M.
170 x 130 mm

Adolph von Menzel

1815 Breslau - 1905 Berlin

Interior of a Farmhouse Loft

Carpenter’s pencil with stumping and scratching-out, on sturdy, rough-textured paper.
Executed in the second half of the 1870s.
Signed lower right: Ad. Menzel.
238 x 332 mm

Johann Elias Ridinger

1698 Ulm - Augsburg 1767

The Jump into a Wild Hog Preserve

Pen and brown ink, brown and grey wash over black chalk on paper with a Strasbourg Lily watermark. Signed and dated in brown ink in the lower margin: J. E. Ridinger fec. A[ugusta]. V[indelicum]. 1728 Jun: / in Sylva ad vivu[m] delineav[it], titled: Der Einsprung an einem Sau Garten and with a personal dedication: Honoratis: Amico / Dr: Will .
336 x 248 mm

George Romney

1734 Dalton-in-Furness, Lancashire - Kendal, Cumbria 1802

Fight between two Classical Warriors on Horseback, watched by three standing Figures in a Cave

Pencil, pen and black ink, grey wash on wove paper.
410 x 549 mm.

Johann Heinrich Wilhelm Tischbein, known as 'Goethe-Tischbein'

1751 Haina - Eutin 1829

A Leopard and a Leopardess with Two Cubs at the Entrance to a Cave

Black chalk, pen and brown ink, watercolour, heightened with opaque white, on paper, c.1810-20.
Original mount.
320 x 407 mm

Louis Valtat

1869 Dieppe - Paris 1952

Au Moulin Rouge (recto); Scène de Café (verso)

Pastel (recto), pastel and watercolour (verso) on firm greyish-brown paper; 1895.
646 x 497 mm

Anders Zorn

1860 - Mora - 1920

Portrait of Augustus Saint-Gaudens

Pencil on paper; c.1897.
Signed lower right: Zorn; on the verso with the collector’s mark.
276 x 217 mm